In the 40 years that I have been teaching all styles of guitar to every type of student, there have been a few questions that come up over and over which seem to be the cause of great concern and anxiety.
The Best Guitar Stand In San Diego
High on the list is “Am I too old to learn guitar in Escondido ?I have been anxiously asked this question by a 28 year old student, a 38 year old, a 46 year old, and let’s see…off the top of my head, I can remember students at age 52, 65, 77, and finally, good old Frank who was 84! I have had plenty of experience with this question, and more importantly, with the answer
.I am going to tell you the answer right up front to set your mind at ease, just in case you are one of those guitar students desperately attempting to remain hopeful about your chances of success. Yes, anyone can learn to play the guitar at any age, period and any place in San Diego
Jump to navigation Jump to search The lap steel guitar is a type of steel guitar which is typically played with the instrument in a horizontal position on the performer’s lap or otherwise supported. The performer changes pitch by pressing a metal or glass bar against the strings as opposed to a traditional guitar where the performer's fingertips press the strings against frets. The bar placed against the strings is called a "steel" or "tone bar". There are three types of lap steel guitars: Freddie Roulette holding console or double-neck steel guitar. A lap steel guitar's strings are raised at both the nut and bridge ends of the fingerboard, typically to about half an inch. The strings are too high to contact the surface of the neck, so frets, if present, are only for reference and are often replaced by markers. Some lap steel guitars can be converted between lap and fretted playing, or are modified versions of conventional guitars—the only difference is usually string height. Round-necked resonator guitars set up for steel playing fall into this category. Instruments designed exclusively as lap steel guitars typically have modified necks that make fretted playing impossible. The hollow neck acoustic lap steel, developed by Chris Knutsen and popularized by Weissenborn, extends the body cavity behind the neck all the way to the head. The square-necked resonator guitar has a strengthened square profile neck, allowing heavier string gauges and/or higher tunings that would normally be considered impossible (or certainly ill-advised) on a conventional guitar. The electric lap steel guitar typically incorporates the entire neck into the solid body of the guitar, again providing extra strength to allow a greater variety of string gauges and tunings. Console steel guitars, typically with more than six strings and/or multiple necks, are rarely played in lap steel fashion (without their legs), but are often referred to as lap steel guitars by many makers and authorities. See table steel guitar. Kaki King performing on lap steel guitar. The lap steel guitar is typically placed on the player's lap, or on a stool in front of the seated player. When playing with stand-up musicians, such as in a bluegrass band, it has become an alternative for the player to also play standing up; supporting the guitar with a guitar strap around the neck, with the guitar suspended horizontally, resting against the stomach area; providing stage mobility, such as for mic accessibility for singing. Unlike a conventional guitar, the strings are not pressed to a fret when sounding a note; rather, the player holds a metal slide called steel (or tone bar) in the left hand, which is moved along the strings to change the instrument's pitch while the right hand plucks or picks the strings. This method of playing greatly restricts the number of chords available, so lap steel music often features melodies, a restricted set of harmonies (such as in blues), or another single part. David Gilmour playing lap steel guitar - 26 January 1977 The steel guitar, when played in Hawaiian, Country, Bluegrass, or Western Swing styles, is almost always plucked using a plastic thumbpick affixed to the right hand's thumb, and metal or plastic "fingerpicks" fitted to the first 2, 3, or even all 4 fingers of the right hand. This allows the player greater control when picking sets of notes on non-adjacent strings. Some Blues players, especially those who use a round-neck resonator guitar played upright, conventional-guitar-style, with a bottleneck or hollow metal slide on one left-hand finger, forgo the fingerpicks and thumbpicks, and use their bare fingers and thumb instead. On the other hand, a minority of Blues players, and many Rock players, use a conventional flatpick. Tut Taylor is one of the few Dobro players that use a flatpick. Ben Keith playing lap steel guitar + pedal steel guitarIt is widely reported that the lap steel guitar was invented by a man named Joseph Kekuku in 1885. It is said that, at the age of 7, Kekuku was walking along a railroad track and picked up a metal bolt, slid the metal along the strings of his guitar and was intrigued by the sound. He taught himself to play using this method with the back of a knife blade. Various other people have also been credited with the innovation. The instrument became a major fad in the United States during the 1920s and 1930s. The instrument became especially popular in Hawaii, as musicians played in tent-rep shows. It was electrified in the early 1930s, and in 1932 the first production electric guitar was introduced, the aluminum Ro-Pat-In (later Rickenbacker) A22 "Frying Pan" lap steel. This made the so-called "Hawaiian" guitar the first electric stringed instrument (just a few years before Les Paul and Charlie Christian modified their instruments and after the theremin was patented in 1928). The earliest documented performance with an electrically amplified guitar was in 1932, by Gage Brewer. The Wichita, Kansas-based musician had an electric Hawaiian A-25 (frypan, lap-steel) and a standard electric Spanish from George Beauchamp of Los Angeles, California. Brewer publicized his new instruments in an article in the Wichita Beacon of October 2, 1932 and through performances that month. The first electric instrument on a commercial recording was made and played in 1935 by Bob Dunn, a musician in Houston, Texas who played in the Western swing band Milton Brown and His Musical Brownies. Dunn owned a music store that bore his name in the Houston area. The lap steel, dobro and pedal steel guitar are associated most closely with Hawaiian music, country music and bluegrass, though some players have used them in rock music, jazz, blues, and other musical genres. The round neck, metal-bodied resonator guitar is used almost exclusively by blues, rock, or blues-rock musicians. Harmon Davis playing steel guitar The Lap steel guitar is not tuned in standard guitar tuning (E-A-D-G-B-E, low to high). Rather, it is usually tuned to an open chord, often an extended chord like a 6th, 7th, or 9th. (All tunings are shown low-to-high; that is, thickest string to thinnest, or 6th string to 1st string). The earliest Hawaiian lap steel tuning was A low bass, E A E A C# E. Blues and Rock players tend to favor one of two tuning families: open G/open A, or open D/open E. Open G is tuned D-G-D-G-B-D; open A raises each of those notes a whole-step (2 frets) to E-A-E-A-C♯-E. During the 1920s and 1930s, much of the sheet music written for lap steel utilized open A tuning as the de facto standard tuning for the instrument. Other tunings such as E7 ( B D E G# B E ), C#m (B D E G# C# E), and many other tunings were developed. Open D is tuned D-A-D-F♯-A-D, and open E is a whole-step higher: E-B-E-G♯-B-E. Joe Perry of Aerosmith uses Open E on his electric lap steel. David Lindley is another player who uses transposed variations of these tunings. Bluegrass and Country Dobro players using a square-neck instrument tend to favor an altered G tuning, often called "High-G", where the 6th string is tuned up to "G" instead of down to "D", and the 5th string is also tuned up, to B: G-B-D-G-B-D. They also sometimes raise it up to "High-A": A-C♯-E-A-C♯-E. These are examples of tunings possible on a lap steel that could cause serious damage if attempted on a round-neck resonator or standard guitar. Henry Kaleialoha Allen in his book uses a modified C6 tuning, with a B♭ in the bass: B♭-E-G-A-C-E. Jerry Byrd has a C6 variant with C# in the bass: C# E G A C E. Dobro players also generally use a set of strings with different gauges than those used on standard electric or acoustic guitars to help them to project more sound and to achieve their higher tunings. Many Western Swing lap steel players, and some Old-Time Country lap steel players, use a C6 tuning. There is no "standard" C6 tuning; one popular one is C-E-G-A-C-E. This tuning is a good one for learning Don Helms' lap steel melodies from old Hank Williams records, although Helms used a lap steel with legs (a "console steel"), with two necks having 8 strings each; Helms actually used an E13 tuning, which adds the 7th (D) and the 13th (C♯) to the E tuning, making it B-D-E-G♯-B-C♯-E-G♯, low to high. An extended C6/FMaj7 is used by Western Swing pedal steel guitarists on their 10-string pedal steels. This tuning, C-F-A-C-E-G-A-C-E-G, is difficult to achieve on the 6-string steel but a subset thereof is achieved as previously mentioned. A6 is a commonly used alternate for C6 and was used by greats such as Billy Hew Len, Leon McAuliffe, Herb Remington, etc. The E7 tuning is used by many players, especially those who begin learning with the Mel Bay Steel Guitar Method instructional books. The E7 tuning in those books is spelled either B0-D-E-G♯-B-E or with the 6th string lowered to the tonic E: E-D-E-G♯-B-E. Note the similarity of this second tuning to the open E tuning above: the only difference is the 5th string, which is lowered from the tonic E to the 7th note in the key of E, which is D. There are many other tunings used by players. Pedal Steel guitarists switching over to lap steel often bring over a modified version of the 10-string E9 tuning that is the standard for Country pedal steel; pedal steels, and a few non-pedal "console steels" actually have multiple necks, each in a different tuning, and very often on a pedal steel the 2 main necks will be in E9 and C6 tunings. As noted under the C6 tuning, an A6 tuning is also used. See the links below for a list of additional tunings.
Many of the visitors to my website ask about vintage guitar values. Do you have a guitar about which you would like to have information? Do you have a question about Fender guitar value, Gibson guitar value, or maybe the value of a Martin guitar? Even if you don't know what kind of guitar you have, a little research will help you to find the value of your guitar.What makes a guitar valuable?Several factors figure into the value of a guitar. In general, the guitar must be one which is sought after by collectors and musicians. The demand for a guitar is determined in general by quality, beauty, and playability. This demand must outweigh the available supply.Age is an important factor in the value of a guitar, but a guitar is not necessarily more valuable just because it is older. It must have been made with a high standard of quality in the first place. An old mediocre quality guitar is just that--an old mediocre guitar! The actual year that a guitar was made may not be as important as the PERIOD in which it was made.For example, electric guitars which are most valuable today include Fender Telecasters made before 1954, Fender Stratocasters made between 1954 and 1959, and Gibson Les Pauls made between 1958 and 1960. Acoustic guitars of the greatest value include Pre-World War II Martins and Gibsons.This is not to say that other guitars are not valuable. Many vintage guitars will bring a good price. The trick is to know approximately how much YOUR guitar is worth.How Do I Determine the Value of My Guitar?In order for you or anyone else to determine the value of your guitar, you must have certain information available. Ideally, you would know the brand, model, and serial number. The brand and model, however, can often be determined through the serial number. Then you must determine the condition of your guitar--prices differ greatly according to condition. Here are some guidelines: (these guidelines are from the "Blue Book of Acoustic and Electric Guitars")100% - New - New with all factory materials, including warranty card, owner's manual, case, and other items that were originally included by the manufacturer. On currently manufactured instruments, the 100% price refers to an instrument not previously sold at retail. Even if a new instrument has been played only twice and traded in a week later, it no longer qualifies at 100%.Excellent - this Excellent condition range is represented by both High Excellent and Low Excellent condition. High Excellent refers to an instrument that is very clean, looks almost new (perhaps a few light scratches/dings only), and has hardly been used. Low Excellent refers to a guitar that has been played/used, and has accumulated some minor wear in the form of light scratches, dings, small chips, etc. The older an instrument, the less likely it will be in High Excellent condition Even Low Excellent is seldom encountered on instruments over 50 years old, since most acoustic instruments were originally purchased to be playedAverage - The Average guitar condition factor indicates an acoustic guitar that has been in a player's hands and has worn due to player use (hopefully, no abuse). High Average condition instruments have normal dents, small chips, and light dings on the body, and/or scratches on the top and back. However, there should be no problems unless indicated separately. Low Average condition instruments may reflect major finish problems, replacement parts, previous repairs (especially on older instruments), alterations, and neck/fret wear is typically visible.Once you have this information at hand, you can attempt to find the value of the guitar by consulting various sources on the internet or you can have it appraised by an expert. Researching the value of your guitar on the internet may be free. The downside is that this research requires a big expenditure of time and a wide knowledge of guitar pricing resources. If you have your guitar appraised, remember that the appraiser may also be a dealer who is, after all, wanting to make a profit by reselling the guitar. For this reason, the appraisal MAY be biased.Because so many of my website visitors have inquired about the value of their guitars, I have begun to offer a GENERAL guitar evaluation service. This service is FREE. If you are interested, please visit:Vintage Guitar Values at the May Music Studio Website.
Have you ever wished you could play a melody on your guitar? Now you will learn how to play Twinkle, Twinkle, Little Star without sheet music! Let me take you to the first note of the song with the help of guitar tab notation!Here you have the first note written with number guitar tablature:03The first number tells you which fret to play, in this case you will not press down any fret which is indicated with the number 0. This is called to play an open string. The second number indicates which string to play. In this melody you will start with the third string.The strings are numbered starting with the bottom string on your guitar. You will use three strings to play the melody. The first string or the bottom string is called E, the second string B and the third string G. We will give the G-string a number instead and as you already have seen call it 3.Now it is time to start playing the melody. Here is the first line of lyrics with the corresponding melody written with number guitar tabs:(G)Twinkle, twinkle, (C)little (G)star03 03 32 32 01 01 3232 means, press down the third fret on the second string and play the note! As you can see I have included the suggested chords to use in brackets before the syllable where you are to change chords. Great if you are two guitarists playing together!Here are the next guitar tabs:(D7)How I (G)wonder (D7)what you (G)are!12 12 02 02 23 23 03I suggest that you use your right hand index to play the notes on the first fret, the middle finger for notes on the second fret and your middle finger for the third fret notes!You might feel that it is a bit difficult to use your left hand fingers this way but if you are patient you will find that you are able to keep your hand in the same position as you play which will help you when you play more advanced melodies!Another advantage is that your fingers will have their fixed frets to work with which will help you find your way better on the fretboard and you will be able to play without looking at your fingers all the time!(G)Up a(D7)bove the (G)world so (D7)high32 32 12 12 02 02 23(G)Like a (D7)diamond (G)in the (D7)sky!32 32 12 12 02 02 23The actual length of the individual notes in the melody is not indicated with this type of guitar tab notation but as you already know the melody I suggest that you learn how to play the rhythm by singing the melody aloud or in your head!(G)Twinkle, twinkle, (C)little (G)star03 03 32 32 01 01 32(D7)How I (G)wonder (D7)what you (G)are!12 12 02 02 23 23 03Now you have learned how to play Twinkle, Twinkle, Little Star on your guitar!As I mentioned, I call this type of notation number tablature and it is a convenient way to display melodies in text form but a more common way to show guitar tabs is by using a staff with six lines representing the strings and numbers on the lines indicating the frets. You will find this notation on many guitar sites!I suggest that you memorize the melody line by line instead of looking at the numbers. This way you will have access to the melody whenever a guitar is available!
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