Santa Barbara Guitar Price

Why is it so important to learn these basic chords in Santa Barbara?

Chords form the backbone of most rock and pop songs, and provide the harmonic accompaniment to the melody and instrumental solos.Rhythm guitar based on basic chords provides many of the most memorable rock riffs… think AC/DC’s “Back in Black” or The Who’s “Won’t Get Fooled Again” in Santa Barbara. What’s really amazing is that by learning no more than 10 to 15 basic guitar chords, you will be equipped to play thousands of rock and pop songs!First let’s establish the definition of a chord. A chord is three or more different musical notes played together.

Guitar Amplifier

steel string acoustic guitar Although twelve string guitars are much less common than their six string counterparts, they can be a valuable addition to any guitarist's collection. Let's take a look at what 12 string guitars have to offer.What is a 12 string guitar?Although the exact ancestry of this type of guitar is unknown, it seems to have originated in the US or Mexico in the late 19th century, and was initially regarded as little more than a novelty instrument. However, the instrument gained great popularity throughout the 20th century, and is now an integral part of many musical styles.As the name suggests, these guitars have 12 strings rather than the usual six. On most twelve stringed guitars, the strings are arranged in pairs or 'courses'. The paired bass strings are generally tuned an octave apart, whereas the treble strings feature unison tunings. However, some guitarists may use non-standard tunings, or remove some of the strings in order to produce a more individual sound.When playing a guitar with 12 strings, each pair of strings is normally struck together, although some guitarists will play on individual strings within each pair - this takes considerable skill however.Advantages of the 12 stringed guitarThe 12 string guitar's popularity is based on its rich sound. The extra strings give it a striking chorus-like effect, and its distinct ringing sound makes it an excellent choice for use as an accompaniment instrument. In fact, in its early days the 12 string guitar was very popular among buskers, who found that they did not need other musicians to play with, thanks to the guitar's full orchestral tone.The 12 string type of guitar is mostly used for rhythm guitar playing, because the paired strings make most lead playing techniques difficult. For this reason, many guitarists use a 12 string as their secondary instrument, reserving it for those songs which require something extra when it comes to the accompaniment.However, there are many well-known musicians who are particularly identified with the 12 string guitar, in either its acoustic or electric forms. These include Leadbelly, Pete Seeger and Roger McGuinn. Guitarists such as Jimmy Page and John McLaughlin are also known for their work with the Gibson EDS-1275 double neck guitar, which features a choice of twelve string and six string necks.Overall, it is well worth buying a 12 string axe to add to your guitar arsenal, even if you don't intend to make it your main instrument. Most guitarists find that the 12 string version of the guitar is not that much more difficult to play, and the beautiful tones it can produce make any little extra effort more than worthwhile.

In the case of the guitar in , this means that at least three strings are strummed or plucked simultaneously to sound three or more notes. Since the guitar has six strings, the maximum numbers of notes in a guitar chord is six. All chords can be placed in one of three groups based on the musical structure of the chord: Major, Minor, or Seventh.

Gibson Guitars in Santa Barbara

Should your guitar be subjected to cold temperatures in Santa Barbara , say in the rear of an automobile, for an extended duration (even in the hard shell case), never pull the guitar out and expose it to room temperatures as soon as you get it inside. The guitar will need to have time for it to slowly adapt to the new warm temperatures, so leave it in the case until it has had enough time to do so.

An Easy Guitar "Walk Down" in D

learn to play guitar free Many of the visitors to my website ask about vintage guitar values. Do you have a guitar about which you would like to have information? Do you have a question about Fender guitar value, Gibson guitar value, or maybe the value of a Martin guitar? Even if you don't know what kind of guitar you have, a little research will help you to find the value of your guitar.What makes a guitar valuable?Several factors figure into the value of a guitar. In general, the guitar must be one which is sought after by collectors and musicians. The demand for a guitar is determined in general by quality, beauty, and playability. This demand must outweigh the available supply.Age is an important factor in the value of a guitar, but a guitar is not necessarily more valuable just because it is older. It must have been made with a high standard of quality in the first place. An old mediocre quality guitar is just that--an old mediocre guitar! The actual year that a guitar was made may not be as important as the PERIOD in which it was made.For example, electric guitars which are most valuable today include Fender Telecasters made before 1954, Fender Stratocasters made between 1954 and 1959, and Gibson Les Pauls made between 1958 and 1960. Acoustic guitars of the greatest value include Pre-World War II Martins and Gibsons.This is not to say that other guitars are not valuable. Many vintage guitars will bring a good price. The trick is to know approximately how much YOUR guitar is worth.How Do I Determine the Value of My Guitar?In order for you or anyone else to determine the value of your guitar, you must have certain information available. Ideally, you would know the brand, model, and serial number. The brand and model, however, can often be determined through the serial number. Then you must determine the condition of your guitar--prices differ greatly according to condition. Here are some guidelines: (these guidelines are from the "Blue Book of Acoustic and Electric Guitars")100% - New - New with all factory materials, including warranty card, owner's manual, case, and other items that were originally included by the manufacturer. On currently manufactured instruments, the 100% price refers to an instrument not previously sold at retail. Even if a new instrument has been played only twice and traded in a week later, it no longer qualifies at 100%.Excellent - this Excellent condition range is represented by both High Excellent and Low Excellent condition. High Excellent refers to an instrument that is very clean, looks almost new (perhaps a few light scratches/dings only), and has hardly been used. Low Excellent refers to a guitar that has been played/used, and has accumulated some minor wear in the form of light scratches, dings, small chips, etc. The older an instrument, the less likely it will be in High Excellent condition Even Low Excellent is seldom encountered on instruments over 50 years old, since most acoustic instruments were originally purchased to be playedAverage - The Average guitar condition factor indicates an acoustic guitar that has been in a player's hands and has worn due to player use (hopefully, no abuse). High Average condition instruments have normal dents, small chips, and light dings on the body, and/or scratches on the top and back. However, there should be no problems unless indicated separately. Low Average condition instruments may reflect major finish problems, replacement parts, previous repairs (especially on older instruments), alterations, and neck/fret wear is typically visible.Once you have this information at hand, you can attempt to find the value of the guitar by consulting various sources on the internet or you can have it appraised by an expert. Researching the value of your guitar on the internet may be free. The downside is that this research requires a big expenditure of time and a wide knowledge of guitar pricing resources. If you have your guitar appraised, remember that the appraiser may also be a dealer who is, after all, wanting to make a profit by reselling the guitar. For this reason, the appraisal MAY be biased.Because so many of my website visitors have inquired about the value of their guitars, I have begun to offer a GENERAL guitar evaluation service. This service is FREE. If you are interested, please visit:Vintage Guitar Values at the May Music Studio Website.

How to Set Up Your Guitar - Setting Guitar Action

acoustic guitar players Jump to navigation Jump to search Example of a cedar top flamenco guitar with traditional tap plates/golpeadores installed A flamenco guitar is a guitar similar to a classical guitar but with thinner tops and less internal bracing. It is used in toque, the guitar-playing part of the art of flamenco. Traditionally, luthiers made guitars to sell at a wide ranges of prices, largely based on the materials used and the amount of decorations, to cater to the popularity of the instrument across all classes of people in Spain.[1] The cheapest guitars were often simple, basic instruments made from the less expensive woods such as cypress. Antonio de Torres, one of the most renowned luthiers, did not differentiate between flamenco and classical guitars. Only after Andrés Segovia and others popularized classical guitar music, did this distinction emerge.[2] The traditional flamenco guitar is made of Spanish cypress, sycamore, or rosewood for the back and sides, and spruce for the top. This (in the case of cypress and sycamore) accounts for its characteristic body color. Flamenco guitars are built lighter with thinner tops than classical guitars, which produces a "brighter" and more percussive sound quality. Builders also use less internal bracing to keep the top more percussively resonant. The top is typically made of either spruce or cedar, though other tone woods are used today. Volume has traditionally been very important for flamenco guitarists, as they must be heard over the sound of the dancers’ nailed shoes. To increase volume, harder woods, such as rosewood, can be used for the back and sides, with softer woods for the top. In contrast to the classical guitar, the flamenco is often equipped with a tap plate (a golpeador), commonly made of plastic, similar to a pickguard, whose function is to protect the body of the guitar from the rhythmic finger taps, or golpes. Originally, all guitars were made with wooden tuning pegs, that pass straight through the headstock, similar to those found on a lute, a violin or oud, as opposed to the modern classical-style guitars' geared tuning mechanisms. "Flamenco negra" guitars are called "negra" after the darker of the harder woods used in their construction, similar materials to those of high-end classical guitars, such as rosewood or other dense tone woods. The harder materials increase volume and tonal range. A typical cypress flamenco guitar produces more treble and louder percussion than the more sonorous negra. These guitars strive to capture some of the sustain achieved by concert caliber classical guitars while retaining the volume and attack associated with flamenco. Classical guitars are generally made with spruce or cedar tops and rosewood or mahogany backs and sides to enhance sustain. Flamenco guitars are generally made with spruce tops and cypress or sycamore for the backs and sides to enhance volume and emphasize the attack of the note. Nevertheless, other types of wood may be used for the back and sides, like rosewood, maple, koa, satinwood and caviuna. A well-made flamenco guitar responds quickly, and typically has less sustain than a classical. This is desirable, since the flurry of notes that a good flamenco player can produce might sound muddy on a guitar with a big, lush, sustaining sound. The flamenco guitar’s sound is often described as percussive; it tends to be brighter, drier and more austere than a classical guitar. Some jazz and Latin guitarists like this punchy tonality, and some players have even discovered that these guitars’ wide-ranging sound also works well for the contrapuntal voicings of Renaissance and Baroque music. Flamenco guitarist Paco de Lucía Flamenco is played somewhat differently from classical guitar. Players use different posture, strumming patterns, and techniques. Flamenco guitarists are known as tocaores (from an Andalusian pronunciation of tocadores, "players") and flamenco guitar technique is known as toque. Flamenco players tend to play the guitar between the sound hole and the bridge, but as closely as possible to the bridge, to produce a harsher, rasping sound quality. Unlike classical tirando, where the strings are pulled parallel to the soundboard, in flamenco apoyando strings are struck towards the soundboard in such way that the striking finger is caught and supported by the next string, hence the name apoyando (from Spanish apoyar meaning "to support"). At times, this style of playing causes the vibrating string to gently touch the frets along its length, causing a more percussive sound.[3] While a classical guitarist supports the guitar on the right leg, and holds it at an incline, flamenco guitarists usually cross their legs and support the guitar on whichever leg is on top, placing the neck of the guitar nearly parallel to the floor. The different position accommodates the different playing techniques. Many of the tremolo, golpe, and rasgueado techniques are easier and more relaxed if the upper right arm is supported at the elbow by the body of the guitar rather than by the forearm as in classical guitar. Nonetheless, some flamenco guitarists use classical position. Flamenco is commonly played using a cejilla (capo) which raises the pitch and causes the guitar to sound sharper and more percussive. However, the main purpose in using a cejilla is to change the key of the guitar to match the singer’s vocal range. Because Flamenco is an improvisational musical form that uses common structures and chord sequences, the capo makes it easier for players who have never played together before to do so. Rather than transcribe to another key each time the singer changes, the player can move the capo and use the same chord positions. Flamenco uses a lot of highly modified and open chord forms to create a solid drone effect and leave at least one finger free to add melodic notes and movement. Very little traditional Flamenco music is written, but is mostly passed on hand to hand. Books, however are becoming more available. Both accompaniment and solo flamenco guitar are based as much on modal as tonal harmonies; most often, both are combined. In addition to the techniques common to classical guitar, flamenco guitar technique is uniquely characterized by: Flamenco guitar employs a vast array of percussive and rhythmic techniques that give the music its characteristic feel. Often, eighth note triplets are mixed with sixteenth note runs in a single bar. Even swung notes are commonly mixed with straight notes, and golpes are employed with the compas of different types of rhythms (i.e. bulerias, soleas, etc.) as is strumming with the strings damped for long passages or single notes. More broadly, in terms of general style and ability, one speaks of:

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CA-Santa Barbara Electric Guitar

In the 40 years that I have been teaching all styles of guitar to every type of student, there have been a few questions that come up over and over which seem to be the cause of great concern and anxiety.

The Best Acoustic Guitar In Santa Barbara 

High on the list is “Am I too old to learn guitar in Santa Barbara ?I have been anxiously asked this question by a 28 year old student, a 38 year old, a 46 year old, and let’s see…off the top of my head, I can remember students at age 52, 65, 77, and finally, good old Frank who was 84! I have had plenty of experience with this question, and more importantly, with the answer

.I am going to tell you the answer right up front to set your mind at ease, just in case you are one of those guitar students desperately attempting to remain hopeful about your chances of success. Yes, anyone can learn to play the guitar at any age, period and any place in Santa Barbara

Slack-key Guitar

acoustic guitar for sale Jump to navigation Jump to search The lap steel guitar is a type of steel guitar which is typically played with the instrument in a horizontal position on the performer’s lap or otherwise supported. The performer changes pitch by pressing a metal or glass bar against the strings as opposed to a traditional guitar where the performer's fingertips press the strings against frets. The bar placed against the strings is called a "steel" or "tone bar". There are three types of lap steel guitars: Freddie Roulette holding console or double-neck steel guitar. A lap steel guitar's strings are raised at both the nut and bridge ends of the fingerboard, typically to about half an inch. The strings are too high to contact the surface of the neck, so frets, if present, are only for reference and are often replaced by markers. Some lap steel guitars can be converted between lap and fretted playing, or are modified versions of conventional guitars—the only difference is usually string height. Round-necked resonator guitars set up for steel playing fall into this category. Instruments designed exclusively as lap steel guitars typically have modified necks that make fretted playing impossible. The hollow neck acoustic lap steel, developed by Chris Knutsen and popularized by Weissenborn, extends the body cavity behind the neck all the way to the head. The square-necked resonator guitar has a strengthened square profile neck, allowing heavier string gauges and/or higher tunings that would normally be considered impossible (or certainly ill-advised) on a conventional guitar. The electric lap steel guitar typically incorporates the entire neck into the solid body of the guitar, again providing extra strength to allow a greater variety of string gauges and tunings. Console steel guitars, typically with more than six strings and/or multiple necks, are rarely played in lap steel fashion (without their legs), but are often referred to as lap steel guitars by many makers and authorities. See table steel guitar. Kaki King performing on lap steel guitar. The lap steel guitar is typically placed on the player's lap, or on a stool in front of the seated player. When playing with stand-up musicians, such as in a bluegrass band, it has become an alternative for the player to also play standing up; supporting the guitar with a guitar strap around the neck, with the guitar suspended horizontally, resting against the stomach area; providing stage mobility, such as for mic accessibility for singing. Unlike a conventional guitar, the strings are not pressed to a fret when sounding a note; rather, the player holds a metal slide called steel (or tone bar) in the left hand, which is moved along the strings to change the instrument's pitch while the right hand plucks or picks the strings. This method of playing greatly restricts the number of chords available, so lap steel music often features melodies, a restricted set of harmonies (such as in blues), or another single part. David Gilmour playing lap steel guitar - 26 January 1977 The steel guitar, when played in Hawaiian, Country, Bluegrass, or Western Swing styles, is almost always plucked using a plastic thumbpick affixed to the right hand's thumb, and metal or plastic "fingerpicks" fitted to the first 2, 3, or even all 4 fingers of the right hand. This allows the player greater control when picking sets of notes on non-adjacent strings. Some Blues players, especially those who use a round-neck resonator guitar played upright, conventional-guitar-style, with a bottleneck or hollow metal slide on one left-hand finger, forgo the fingerpicks and thumbpicks, and use their bare fingers and thumb instead. On the other hand, a minority of Blues players, and many Rock players, use a conventional flatpick. Tut Taylor is one of the few Dobro players that use a flatpick. Ben Keith playing lap steel guitar + pedal steel guitarIt is widely reported that the lap steel guitar was invented by a man named Joseph Kekuku in 1885.[2][3][4] It is said that, at the age of 7, Kekuku was walking along a railroad track and picked up a metal bolt, slid the metal along the strings of his guitar and was intrigued by the sound. He taught himself to play using this method with the back of a knife blade. Various other people have also been credited with the innovation.[5] The instrument became a major fad in the United States during the 1920s and 1930s. The instrument became especially popular in Hawaii, as musicians played in tent-rep shows.[6] It was electrified in the early 1930s, and in 1932 the first production electric guitar was introduced, the aluminum Ro-Pat-In (later Rickenbacker) A22 "Frying Pan" lap steel. This made the so-called "Hawaiian" guitar the first electric stringed instrument (just a few years before Les Paul and Charlie Christian modified their instruments and after the theremin was patented in 1928). The earliest documented performance with an electrically amplified guitar was in 1932, by Gage Brewer. The Wichita, Kansas-based musician had an electric Hawaiian A-25 (frypan, lap-steel) and a standard electric Spanish from George Beauchamp of Los Angeles, California. Brewer publicized his new instruments in an article in the Wichita Beacon of October 2, 1932 and through performances that month. The first electric instrument on a commercial recording was made and played in 1935 by Bob Dunn, a musician in Houston, Texas who played in the Western swing band Milton Brown and His Musical Brownies. Dunn owned a music store that bore his name in the Houston area. The lap steel, dobro and pedal steel guitar are associated most closely with Hawaiian music, country music and bluegrass, though some players have used them in rock music, jazz, blues, and other musical genres. The round neck, metal-bodied resonator guitar is used almost exclusively by blues, rock, or blues-rock musicians. Harmon Davis playing steel guitar The Lap steel guitar is not tuned in standard guitar tuning (E-A-D-G-B-E, low to high). Rather, it is usually tuned to an open chord, often an extended chord like a 6th, 7th, or 9th. (All tunings are shown low-to-high; that is, thickest string to thinnest, or 6th string to 1st string). The earliest Hawaiian lap steel tuning was A low bass, E A E A C# E. Blues and Rock players tend to favor one of two tuning families: open G/open A, or open D/open E. Open G is tuned D-G-D-G-B-D; open A raises each of those notes a whole-step (2 frets) to E-A-E-A-C♯-E. During the 1920s and 1930s, much of the sheet music written for lap steel utilized open A tuning as the de facto standard tuning for the instrument. Other tunings such as E7 ( B D E G# B E ), C#m (B D E G# C# E), and many other tunings were developed. Open D is tuned D-A-D-F♯-A-D, and open E is a whole-step higher: E-B-E-G♯-B-E. Joe Perry of Aerosmith uses Open E on his electric lap steel. David Lindley is another player who uses transposed variations of these tunings. Bluegrass and Country Dobro players using a square-neck instrument tend to favor an altered G tuning, often called "High-G", where the 6th string is tuned up to "G" instead of down to "D", and the 5th string is also tuned up, to B: G-B-D-G-B-D. They also sometimes raise it up to "High-A": A-C♯-E-A-C♯-E. These are examples of tunings possible on a lap steel that could cause serious damage if attempted on a round-neck resonator or standard guitar. Henry Kaleialoha Allen in his book[7] uses a modified C6 tuning, with a B♭ in the bass: B♭-E-G-A-C-E. Jerry Byrd has a C6 variant with C# in the bass: C# E G A C E. Dobro players also generally use a set of strings with different gauges than those used on standard electric or acoustic guitars to help them to project more sound and to achieve their higher tunings. Many Western Swing lap steel players, and some Old-Time Country lap steel players, use a C6 tuning. There is no "standard" C6 tuning; one popular one is C-E-G-A-C-E. This tuning is a good one for learning Don Helms' lap steel melodies from old Hank Williams records, although Helms used a lap steel with legs (a "console steel"), with two necks having 8 strings each; Helms actually used an E13 tuning, which adds the 7th (D) and the 13th (C♯) to the E tuning, making it B-D-E-G♯-B-C♯-E-G♯, low to high. An extended C6/FMaj7 is used by Western Swing pedal steel guitarists on their 10-string pedal steels. This tuning, C-F-A-C-E-G-A-C-E-G, is difficult to achieve on the 6-string steel but a subset thereof is achieved as previously mentioned. A6 is a commonly used alternate for C6 and was used by greats such as Billy Hew Len, Leon McAuliffe, Herb Remington, etc. The E7 tuning is used by many players, especially those who begin learning with the Mel Bay Steel Guitar Method instructional books. The E7 tuning in those books is spelled either B0-D-E-G♯-B-E or with the 6th string lowered to the tonic E: E-D-E-G♯-B-E. Note the similarity of this second tuning to the open E tuning above: the only difference is the 5th string, which is lowered from the tonic E to the 7th note in the key of E, which is D. There are many other tunings used by players. Pedal Steel guitarists switching over to lap steel often bring over a modified version of the 10-string E9 tuning that is the standard for Country pedal steel; pedal steels, and a few non-pedal "console steels" actually have multiple necks, each in a different tuning, and very often on a pedal steel the 2 main necks will be in E9 and C6 tunings. As noted under the C6 tuning, an A6 tuning is also used. See the links below for a list of additional tunings.

Guitar Tab - How to Play Twinkle, Twinkle Little Star on Guitar

12 string acoustic electric guitar Jump to navigation Jump to search Guitar Center is an American music retailer chain. It is the largest company of its kind in the United States, with 269 locations.[1] Its headquarters is in Westlake Village, California. Guitar Center oversees various subsidiaries including Music & Arts, GuitarCenter.com, LMI, Giardinelli, Musician.com, Private Reserve Guitars, Woodwind and Brasswind, Music 123, and used to own Harmony Central until its April 2015 sale to Gibson. Founded in Hollywood by Wayne Mitchell in 1959 as The Organ Center, a retailer of electronic organs for home and church use, it became a major seller of Vox electric guitars and guitar amplifiers, changing its name to The Vox Center in 1964. Toward the end of the 1960s, Vox—whose sales derived largely from its association with The Beatles, who made extensive use of its amplifiers—fell in popularity as Marshall amplifier users Eric Clapton and others captured musicians' imaginations. Accordingly, Mitchell once again changed the name, this time to Guitar Center.[2][3] Guitar Center West LA, Pico & Westwood, Los Angeles The popularity of rock and roll in the 1970s allowed Mitchell to open stores in San Francisco and San Diego, as well as several suburbs of Los Angeles. Ray Scherr, previously the general manager of the San Francisco store, purchased the company from Mitchell in the late 1970s. Scherr owned and operated it until 1996 from its Westlake Village headquarters. Although synthesizer-driven disco and new wave pop sapped rock's audience in the late 1970s, the 1980s "guitar rock" revival led by Van Halen and a concurrent influx of Japanese-produced instruments brought guitar sales to unprecedented levels.[4] Guitar Center took full advantage of this sales bonanza, and by the end of the decade began an ambitious program of expansion across the entire United States.[5] Using its size as leverage over the musical instrument business, it developed into the largest musical instrument retailer in the country, and made an initial public offering of stock in 1997.[6] In 2005, Guitar Center, Inc., started The Fender Music Foundation, a nonprofit organization that supports music education.[7] Activision partnered with Guitar Center in 2006; all purchases made during game play of Guitar Hero, beginning with the second installment, are made in a virtual Guitar Center store. On June 27, 2007, Guitar Center agreed to a $1.9 billion buyout from Bain Capital, totaling $2.1 billion including debt. The deal was led by Goldman Sachs and amounted to a per-share price of $63, or a 26% premium on the June 26 closing price. The deal was approved by shareholders on September 18, 2007, and closed October 9, 2007.[8] In mid-2009 Guitar Center opened the first of its rehearsal and lessons studio facility in Woodland Hills, California. The eight studios with full backline range in size from 350-550 square feet. Guitar Center also hosts annual events such as the Drum Off, King of the Blues, contests, and artist appearances throughout the nation.[9] In 2011, Guitar Center added equipment rentals to the store in San Diego, California. Since, Guitar Center has opened rental departments in ten other existing locations and plans to offer rental services in various other stores across the country. In May 2013, Standard & Poor's cut its debt rating on Bain Capital-owned Guitar Center Holdings Inc to "junk bond" status, citing struggles with "weak operating trends." The corporate credit rating on the company dropped from 'B-' to 'CCC+'.[10] In April 2014, Ares Management took a controlling stake in Guitar Center. Bain Capital, Guitar Center's former owner, retained partial ownership of the company, along with representation on the board. According to Mike Pratt, the retailer's previous chief executive, the deal will reduce Guitar Center's total debt and provide it with the resources to expand its footprint and invest in its business.[11] In August 2014, Guitar Center opened a new 28,000 square foot flagship location in the heart of Times Square in New York City.[12] The grand opening included a celebratory concert featuring the band The Roots.[13] The Guitar Center Times Square location is now the permanent home of Eric Clapton's Blackie Fender Stratocaster,[14] which Guitar Center purchased at a Christie's Crossroads Centre auction in 2004 for $959,000.[15] In April, 2017, Moody's Investors Services revised the outlook on Guitar Center's B2 rating to negative, meaning it could downgrade the rating further into junk territory in the medium tern. The concern is that Guitar Center may be overwhelmed by its $1 billion debt in the face of flat sales in the musical instrument industry as a whole.[16] First debuting in 2010, each episode of Guitar Center Sessions showcases exclusive live performances by noteworthy artists captured in hi-definition at Guitar Center's iconic Hollywood, CA location. Some past guests have included Linkin Park, Saint Motel, Wiz Khalifa, Billy Idol, The 1975, Sum 41, Weezer, Smashing Pumpkins, Peter Gabriel, Alanis Morissette, 311, Megadeth, Snoop Dogg, Soundgarden, Seether, The Cult, CAKE, Jakob Dylan, Blondie, Rodrigo y Gabriela, Bush, Ben Folds Five, Korn, Joan Jett, Cheap Trick, Skylar Grey, Peter Frampton, Frank Turner, Coheed and Cambria, and Jane’s Addiction. Guitar Center Sessions is hosted by Nic Harcourt, and was created, developed and produced by Guitar Center exclusively on DirecTV.[17] Guitar Center Sessions has won several awards, including a Lumiere Award from the International 3D Society for the episodes featuring Jane's Addiction and Peter Gabriel. To celebrate their 50th anniversary, Guitar Center asked Linkin Park to play a show on October 24, 2014; the performance first aired on DirecTV on December 5, 2014.[18] The At: Guitar Center web series (formerly At: Guitar Center podcast) features interviews and intimate performances with some of the biggest names in music. Some past guests have included Travis Barker, Sevendust, T-Pain, Joe Bonamassa, The Crystal Method, Buddy Guy, Daughtry, Jimmy Cliff, Meiko, Rza, Steve Vai, Joe Satriani, Brandi Carlile, and Minus the Bear, The podcasts are available on the iTunes, Zune and BlackBerry networks and on the Guitar Center website.[19] The show is hosted by Nic Harcourt. Connections Made by Guitar Center, a collaboration between 88.5 KCSN Los Angeles and Guitar Center, was a weekly one-hour radio program featuring fresh, new music from across the globe and musical spectrum. Signed or unsigned, the show offered an electric mix of progressive and innovative artists. The show was hosted by radio host and taste maker, Nic Harcourt.[20] The “Guitar Center Legends Collection”[21] consists of four classic guitars made famous by music legends Eric Clapton, Stevie Ray Vaughan, and U2’s The Edge. Guitar Center purchased Clapton’s “Blackie” Fender Stratocaster, his vintage Gibson “ES-335,” and Vaughan’s “Lenny” Stratocaster for over $2.4 million from the Clapton Crossroads Centre charity auction at Christie's New York in 2004. They added The Edge’s cream white Gibson Les Paul Custom after purchasing it for $240,000 at the Music Rising Charity Auction in 2007.[22] Over the years, the collection has been exhibited in one-of-a-kind, “Legends’ Collection” display cases, which provide high level protection and climate control as the instruments tour prestigious musical events and key Guitar Center locations, such as “Guitar Center Road to Crossroads” held at Madison Square Garden in conjunction with Clapton’s Crossroads Guitar Festival in April 2013.[23] In August 2014, Clapton’s Blackie and ES-335 were moved to their new permanent location at Guitar Center’s Times Square flagship location. Clapton's “Blackie” was purchased by Guitar Center for $959,500. Clapton’s Cherry Red Gibson “335,” purchased for $847,500, was used to record Cream’s versions of “Badge” and “Crossroads (from their final live performance in November 1968),” as well as many other historical performances, during his 40 years of ownership. Steve Ray Vaughan’s “Lenny,” which was purchased for $623,500, was used to record his classic love songs including “Lenny” and “Riviera Paradise.” All of the proceeds from these three guitars purchased by Guitar Center were for the benefit of Clapton’s Crossroads Centre charity. The Edge's cream colored 1975 Les Paul Custom (faded from its original white) found fame as a go-to guitar for stage and studio on many of U2’s most famous recordings and performances. In 2005, The Edge partnered with producer Bob Ezrin, Gibson and the Guitar Center Music Foundation (now known as the Fender Music Foundation) to establish Music Rising, a charity founded to benefit musicians whose lives were torn apart by Hurricane Katrina. In 2007, he donated this prized guitar to be auctioned for the cause. The winning bid was $240,000 from Guitar Center ($288,000 including Buyers Premium).[24] Since 1988, Guitar Center has held an annual search for the next great undiscovered drummer. Developed to spotlight the drumming community, Guitar Center’s Drum-Off is the music retailer’s longest running artist-discovery program, providing an outlet for drummers to be recognized for their skill and attain success in their field. For over a quarter of a century, the program has unearthed some of the day’s top undiscovered drummers and provided a platform for established drummers to be acknowledged.[25] Guitar Center’s Drum-Off[26] breaks down into three rounds of store preliminary competitions at 250+ Guitar Center locations nationwide. Every contestant is allowed five minutes of set up time and three minutes to perform. One winner from each store finals competition is chosen to move up to the quarterfinals, (hosted at 30 Guitar Center locations nationwide), followed by semi-finals at five store locations at which point performance time is increased to allow five minutes to each contestant. The winners from these five semifinal locations convene in Los Angeles, CA to compete in Guitar Center’s Drum Off finals in front of a live audience and a panel of celebrity judges. Each contestant is required to perform on a 5-piece acoustic drum kit complete with hardware, cymbals, cowbell, throne and the option to incorporate the Roland SPD-30 Octapad into the competition kit. As of 2016 however, the SPD-30 Octapad will no longer be part of the competition kit. All contestants are evaluated by a panel of independent and credible judges on the following criteria: skills & technique, groove, originality, stage presence, and overall performance. In years past, some of the world’s most renowned drummers have participated in and supported Guitar Center’s Drum-Off, including: Terry Bozzio, Aaron Spears (Usher), Dennis Chambers (Parliament/Funkadelic), Chad Smith (Red Hot Chili Peppers), Steve Gadd, Questlove (The Roots), Travis Barker (Blink-182), Tommy Lee (Motley Crüe), Dave Lombardo (Slayer), Carmine Appice, John Tempesta (The Cult), Taylor Hawkins (Foo Fighters), Steve Smith, Gavin Harrison, Jojo Mayer, Thomas Lang, Josh Freese (Nine Inch Nails, A Perfect Circle), José Pasillas (Incubus), Billy Cobham, Nicko McBrain (Iron Maiden), Stephen Perkins (Jane’s Addiction), Danny Carey (Tool), Brann Dailor (Mastodon), John Blackwell, and more. According to their website, and as of 2017, Guitar Center will no longer sponsor the annual drumoff. Instead, Guitar Center announced it will create a community outreach program specifically geared toward drummers. RockWalk RockWalk detail The Sunset Boulevard location in Los Angeles hosts Hollywood's RockWalk, a hall of fame honoring musical artists.[27] Artists are invited to place their handprints into cement blocks that are put on display at the Guitar Center.[27] Some past inductees have included B'z, Eric Clapton, AC/DC, Aerosmith, Alanis Morissette, B.B. King, Black Sabbath, Carlos Santana, Cheap Trick, Def Leppard , Dick Clark, Ernie Ball, Herbie Hancock, Iron Maiden, James Brown, Jerry Lee Lewis, Jimi Hendrix, Jimmy Page, Joe Satriani, Bonnie Raitt, Johnny Cash, KISS, Les Paul, Little Richard, Lynyrd Skynyrd, Melissa Etheridge, Nancy Wilson, Slash, The Doobie Brothers, The Wrecking Crew, Van Halen, Simon Kirke, as well as countless others. A Guitar Center retail store in Houston In 2000, Guitar Center purchased mail order and Internet retail house Musician's Friend[28] for $50 million, asserting that the merged company was the world's largest seller of musical instruments.[29] Musician's Friend became a wholly owned subsidiary that was headquartered in Medford, Oregon until 2011, when Musician's Friend's headquarters operations were gradually consolidated into Guitar Center's facilities in Westlake Village, California.[30] In 2005, Guitar Center Inc. acquired Music & Arts, the largest school music dealer in the United States, and merged their subsidiary band and orchestral chain American Music Group into Music & Arts (as the company was renamed).[31] Music & Arts was founded in 1952 in Bethesda, Maryland and sells band and orchestra instruments, guitars, keyboards, drum sets, printed sheet music, and related supplies. In the summer of 2006, Guitar Center purchased four stores in Texas from the popular South Texas and Central/South American company, Hermes.[32] In February 2007, the direct response division of Guitar Center, Musician's Friend, purchased assets of the Indiana-based company Dennis Bamber, Inc., which included leading band and orchestra retailer, Woodwind and Brasswind, plus Music 123 and Lyons Music. There was a television series known as Guitar Center Sessions, which featured artists such as 311, Bad Religion, and Smashing Pumpkins.

Music Of Hawaii

acoustic guitar online india Although twelve string guitars are much less common than their six string counterparts, they can be a valuable addition to any guitarist's collection. Let's take a look at what 12 string guitars have to offer.What is a 12 string guitar?Although the exact ancestry of this type of guitar is unknown, it seems to have originated in the US or Mexico in the late 19th century, and was initially regarded as little more than a novelty instrument. However, the instrument gained great popularity throughout the 20th century, and is now an integral part of many musical styles.As the name suggests, these guitars have 12 strings rather than the usual six. On most twelve stringed guitars, the strings are arranged in pairs or 'courses'. The paired bass strings are generally tuned an octave apart, whereas the treble strings feature unison tunings. However, some guitarists may use non-standard tunings, or remove some of the strings in order to produce a more individual sound.When playing a guitar with 12 strings, each pair of strings is normally struck together, although some guitarists will play on individual strings within each pair - this takes considerable skill however.Advantages of the 12 stringed guitarThe 12 string guitar's popularity is based on its rich sound. The extra strings give it a striking chorus-like effect, and its distinct ringing sound makes it an excellent choice for use as an accompaniment instrument. In fact, in its early days the 12 string guitar was very popular among buskers, who found that they did not need other musicians to play with, thanks to the guitar's full orchestral tone.The 12 string type of guitar is mostly used for rhythm guitar playing, because the paired strings make most lead playing techniques difficult. For this reason, many guitarists use a 12 string as their secondary instrument, reserving it for those songs which require something extra when it comes to the accompaniment.However, there are many well-known musicians who are particularly identified with the 12 string guitar, in either its acoustic or electric forms. These include Leadbelly, Pete Seeger and Roger McGuinn. Guitarists such as Jimmy Page and John McLaughlin are also known for their work with the Gibson EDS-1275 double neck guitar, which features a choice of twelve string and six string necks.Overall, it is well worth buying a 12 string axe to add to your guitar arsenal, even if you don't intend to make it your main instrument. Most guitarists find that the 12 string version of the guitar is not that much more difficult to play, and the beautiful tones it can produce make any little extra effort more than worthwhile.

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